Title : 8. Fixing a Prop: Furnishing the Lanza Home by Allan Powell (with Kelley Watt) from Nobody Died at Sandy Hook
link : 8. Fixing a Prop: Furnishing the Lanza Home by Allan Powell (with Kelley Watt) from Nobody Died at Sandy Hook
8. Fixing a Prop: Furnishing the Lanza Home by Allan Powell (with Kelley Watt) from Nobody Died at Sandy Hook
Fixing a Prop: Furnishing the Lanza Home
by Allan Powell (with Kelley Watt)
To make the purpose of this chapter clear innediately at the outset, the Sandy Hook
Elementary school and the Lanza Home ere set up and stage-managed to support a false
story that Adam Lanza killed his mother Nancy Lanza in their home and then went
to an Elementary School and killed 26 people.
There are hundred of images on the Internet that show both sites in
gradual states of preparation to serve as a stage (in the case of the school)
and as a prop (in the case of the Lanza home), which display its preparation
over time with different states of tidiness.
Social engineering requires psychological operations presented to the
public as factual phenomena. It stands to reason therefore that individuals
willing to conduct these psychological operations have to be trained in the
presentation of the same. Both the Lanza home and the Sandy Hook school are
instances of presentations of this kind and of the training of DHS personnel
in producing them.
The Lanza home
The story through the media is that the Lanza home was left in a state
that Adam Lanza left it in until police officers entered that afternoon. That is
117
Allan Powell (with Kelley Watt)
false. The Lanza home was set up to resemble a home of a mentally deranged
twenty-year-old who killed his mother and drove a Honda to kill over two-
dozen at the school.
The images available on the Internet and from the evidence released by
the Connecticut State Police show that the home was stage-managed with
props to create a location to support a false media story. From the evidence
of these images, one or more may have stayed at the home for several days.
The photos in this chapter show various stages of preparation of the
house as a prop for the story of Adam Lanza the shooter. There are different
takes on the decor of Adam Lanza>s bedroom for instance: messy, “normal”
and pristine.
Exhibit 1: Adam’s bedroom “messy”
Note the books in
the television stand in
no order.
* And the boxes
have yet to be unpacked
[where the asterisked
comments are from
Kelley Watt.]
Exhibit 2: Adam’s bedroom “neat”
One of course has
to ask why these two
different states for one
room exist as evidence
retained by police and
where— in chronological
order-one follows the
other.
If the room was
found as messy and the
residt of action by those
government officers in the house was to render it to a different state other
than that found, those officers are not acting in accord with the principles
of forensic science but with the propagandist principle of public deception.
They are setting a scene.
118
Noone Died at Sandy Hook
There are no evidence markers in either image and it is hard to imagine
why any investigation of the dead shootens room would forward any evidence
for clearing up any issues which could be in contention in a trial especially
given that the shooter was dead.
* Note the glider pad under the leg of the headboard in order to move
the bed around for picture -perfect staging.
* There is no blanket or electric blanket on bed despite 28 degrees outside.
* There is no bulletin board, sports memorabilia, ipads, ipods, headphones,
stereo equipment, trashcan, trophies, pictures, magazines, caged pets (such
as a snake or hampster) plants, shoes or shirts, video games or flat screen
TV. These items are typical in the room of a 21 -year old.
Exhibit 3: The “computer room” neat
* White cord running
across the floor; sides of
the computer taken apart;
two bowls on table with
white cloth draped over
it, to the left of brown
desk; trash can is located
on side of desk; computer
chair has no dust on legs.
Cardboard boxes are
stashed on the bottom
shelf of black table. No
medicine bottles or papers on desk. No box of “stuff’ next to screwdriver
on the floor.
Exhibit 4: The “computer room” messy
* Trash can is now
on desk rather than on
the floor next to file
drawer; computer chair is
moved; water bottle on
desk and hand weight on
top of desk. Cardboard
boxes stacked on top
of one another. Sheet
of paper --which is an
119
Allan Powell (with Kelley Watt)
evaluation form for those managing the arrangement, which will appear in
many of these exhibits— on top of desk. The sides of the computer tower are
now not taken off and strewn on floor.
Exhibit 5: Another “computer room” scenario
* Computer chair
now in front of desk;
screwdriver on floor;
the cardboard boxes
have been moved; small
speakers behind cereal
bowls.
Nothing on bottom
of black shelf holding
TV. Headphones on
desk. Box of stuff with
evidence marker is on the floor. White cloth on floor.
Exhibit 6: Now with a stash of pills
Here’s an image with
a good sized stash of pills
on the desk. The pills
have no evidence marker.
The story is that Adam
Lanza wouldn’t take his
meds, so what is this
stash about? How did the
photo come about? Why
would forensics teams
set up evidence like this
in cross contamination of
different areas of the house?
That is not what they do and they keep different types of evidence from
different locations at a crime scene separate for study usually in a laboratory.
They do not lump a whole bunch of items together to present a manipulated
scene to persuade others of a thematic context.
Other images in the police evidence file show the desktops with only a
dozen or so items. This image appears to be one of several mock-ups, probably
by intelligence agents on a training course/drill.
120
Noone Died at Sandy Hook
* Stacked cardboard boxes now missing along with the screwdriver and
box of “stuff that was next to the screwdriver. Trash can now behind file
drawer; desk chair is missing; cereal bowls are now on desk; the table they
were on now missing.
* Small speakers behind cereal bowls are now facing backwards on desk;
hand weight now on file cabinet and flat screen is turned sideways. White cloth
that was on the floor is now missing. The sides of the computer tower that
had been taken off are now gone, while medicine bottles appear on the desk.
Exhibit 7: The “boiler room” in one of its guises
The most
inexplicable area in the
house is what I shall call
«the boiler room». There
are at least four different
images of this area
which are completely
contradictory to each
other.
* Hoover box is
front and center, white
plastic table is upright. Adam’s bed linens are under laundry basket; the green
wire rack is in front of white box with pink pillow on floor behind it. The
brown bookcase to the right of green wire rack. Painter’s paper on floor. (Stuff
behind the “black oil tank” changes in other photos of «the boiler room».)
Exhibit 8: Another “boiler room” arrangement
The contents of the
boiler room here are
arranged differently and
are differ in number,
position and category to
the items in Exhibit 7.
* Now there is
a book on top of the
brown book case behind
the green wire rack; the
Hover box is moved and
121
Allan Powell (with Kelley Watt)
on its side; the brass magazine rack is in front of green wire rack; the United
Van Lines box is front and center.
Exhibit 9: The “boiler room” rearranged again
Again the arrangement is different here. There is no explanation for this in
the context of forensic investigation. None of the activity of re-arranging the
boiler room--whoever
undertook it--in any
manner advances any
precision in establishing
a point in evidence
or establishing a fact
either in the positive or
negative. The question
then arises of what will
explain the existence of
different settings of the
boiler room?
Training for creating misleading evidence is the only answer I can think
of. In faking propaganda events, those who leave their integrity at the door
have to be trained to do it and that appears to be the function of these attempts
at fakery. Where it falls down, of course, is when other dullard public servants
are clumsy enough to allow this kind of image to make its way to the public.
* The magazine rack is now on top of book case. United Van Lines box
is gone and another box is in its place. Hoover box is now upright; pink
pillow is no longer behind green wire rack and now, by the side of plastic
movable cart, a plastic bin appears on the floor behind the black oil tank. An
evaluation sheet is on top of the black garbage bag.
Exhibit 10: Another view of the boiler room
Just in case you
notice something that
we may have missed.
Exhibit 11: The
“Adam Lanza rifle”
According to the
official narrative, Adam
shot his mother Nancy
122
Noone Died at Sandy Hook
four times, three in the
eye one in the forehead.
Four flattened 22 slugs
(plus one fragment)
were in the evidence, all
flattened as if shot into
ballistics gel (see below).
This image of the
Savage shows what one
would presume to be
bloody matter on the
carpet beside it at the muzzle and perhaps a few specks more.
Exhibit 12: Another view of “Adam’s rifle”
Another image
doesn’t show the same
matter on the carpet.
Note too that Nancy is
supposed to have been
shot in the eye three
times, yet the immediate
surroundings including
the carpet, the headboard
and the bed itself do not
indicate that any brain
matter or blood were
expelled forward out of the eye socket from the three shots.
The shots did not penetrate the back of the skull. There’s no cranial matter
evident in any images around the bed except for what looks like some minimal
and feint blood splash on the wall. Nancy didn’t bleed much according to the
images for having four shots to the head.
The general rule with headshots is that the heart keeps pumping blood
because of which wounds evince a large quantity of blood. Four small spots
of less than a quarter of an inch in diameter each are found on the bedside
cabinet items. This is inconsistent with three wounds to the eye and a wound
to the forehead.
Exhibit 13: The boxed “Adam Lanza rifle”
The Savage 221r (long rifle) is boxed and cable-tied in this image before
123
Allan Powell (with Kelley Watt)
being used as a prop along
with a magazine and
(oddly) two expended
cartridges. It looks like
a factory boxed item.
That is how the stage-
managers received the
rifle from FEMA to use
in the sham setting.
Here it’s in the box.
In other photos, it>s on
the floor. But the Savage couldmt have been both boxed and on the floor
when they found it. And if it was still in the box, Adam could not have used
it to shoot his mother.
If the forensics team were transporting it to another location, they woidd
have used a large plastic bag. This is another case of incompetent stagers of
a hoax taking unnecessary images or of at least allowing the image to come
into the public domain.
Exhibit 14: Used cartridges to plant as props?
The origin of these
used shell casings is not
obvious. If would seem
odd for them to have
been supplied with the
rifle.
Live cartridges were
also found and both were
used for placement by the
bed. These are clearly
props for the staging of
a murder which did not
take place.
Exhibit 15: The
blood on the tip of
the barrel
There’s pretend
blood on the muzzle but
124
Noone Died at Sandy Hook
it>s not very convincing. Note too that the rifle is now in a third location for
image capturing.
Exhibit 16: Slugs purported shot into Nancy
The four flattened
slugs (plus a fragment)
that were purportedly
shot into Nancy>s
cranium all sustain
uniform damage and look
like they were actually
fired into some form
of ballistics retardant
(or gel) rather than an
any thing-but- uniform
complex of skin, skull and brain in the head of a human being.
Exhibit 17: The Nancy Lanza bedroom
This DHS/FEMA
image shows Nancy’s
bedroom with a
pomegranate-seed
colored stain on the
bed. It is not the color
of dried human blood or
of brain matter. A pillow
with a slight red stain
lies on the floor against
the double-mirror chest
of drawers. There is no
corpse wearing polka-dot pyjamas.
None of these stains appear to be blood or brain matter. They are some
kind of red matter applied to simulate blood. Again few and small splashes
of the red liquid appear on the wall where the direction they indicate it as
having travelled is forward toward the lit lamp. The stain on the bed indicates
the red liquid there as having travelled away from the lamp. The red bed stain
is slightest a the furthest point from the lamp.
The refection of the top of the bed in the mirror in the left of the picture
does not reflect any red stain anywhere on the bed. The angle of view shows
the end of the curtain closest to the bedhead wall. The part of the bed reflected
125
Allan Powell (with Kelley Watt)
in the mirror is that closest to the mirror, which is the right side. No red stains
are evident.
The reason that the red stain evidence is inconsistent with a shooting
death having occurred on the bed is that no shooting death occurred in the
room. No evidence from the Connecticut State Police shows any image of
any corpse on the bed. The reason for this is that there never was a corpse of
a person who had been shot on the bed.
The evidence does show, however, that there were three pillows on the
bed: a white one, a light blue one and a green-and-orange striped pillow. They
were captured in the first four images taken by the forensic team (or police)
as they entered the bedroom.
These same clumsy State government fakers have allowed the images
which indicate that no corpse was in the bed to be come public on the Internet.
The following five images are from the Connecticut State Police evidence
made freely available to the public on a Connecticut State Government site.
* Notice the evaluation form on the foot chest. No blanket or electric
blanket on the bed despite 28 degrees that morning. Notice the moving pad
under the leg of the footboard— just as we saw in Adam’s bedroom.
Exhibit 18: Peering into Nancy’s bedroom
This image shows a
view into the bedroom
with the Savage rifle in
the distance. No evidence
markers for the rifle or
the magazine are on the
carpet; therefore, we can
presume this is prior in
time to those images. If
one downloads the image
and magnifies it, there is
no blood or brain matter
on what can be seen of the bed.
One should notice that the area of focus for this forensic officer is the
floor, not the “corpse” on the bed of which they would have been well aware
of by this point. The focus is on the floor because another element of this hoax
involves a forced entry scenario, which will be discussed later.
126
Noone Died at Sandy Hook
* The Central Vacuum hose and toilet cleaner in the foreground
suggest that a Maid Service has already been called, which would not appear
to be consistent with proper forensic practice.
Exhibit 19: Taking a closer look
Here is an
enlargement of Exhibit
18. One might be fooled
into thinking one is
viewing a body and that
the conveniently placed
ironing board and iron
are concealing a head of
a corpse, but that is not
the case.
No part of this image
contains any red stain much less a blood stain visible even in the dark as it
is. Nothing on the bed at this point discloses any murder having taken place
let alone any victim on the bed.
Exhibit 20: The top portion of bed from side
Here is another
enlargement of another
image available on the
same site referred to
earlier. The iron is no
longer obscuring the top
of the bed. There is a
green-and-orange pillow,
a white pillow, a piece of
scarlet cloth and a bundle
of cloths in the middle.
No polka-dot body in
pyjamas is in sight.
From the lie of the coverlet, the fake corpse appears to have no feet. This
first entry to the bedroom is at least three hours after Adam Lanza supposedly
shot his mother. All blood by this time would be dark brown not scarlet. If
the scarlet coloured material is intended to simulate blood, it has defied the
law of gravity as a liquid and has failed to flow down on to the bedsheet.
127
Allan Powell (with Kelley Watt)
No arms, hands, head, feet, face nor legs are discernible in this image.
The curtains are closed in this photograph, yet open in others. This image is
contrived to come across as uninformative yet realistic as the imagination of
the scene-setters has allowed. It falls far short of reality.
In setting up this room, as in all the other rooms, the participants were
graded. The graders were dumb enough to leave their evaluation forms.
Exhibit 21: Nancy Lanza’s dressing table
This image was
captured too casually
because it shows the top
of the bed reflected in
the mirror on the left
with no red colouring at
all. No corpse, no head,
but a cross section of
the bed, which Exhibit
17 shows as having red
staining. That staining
is not evident here. Not even the faked material appear to be in place. The
colour and configuration of the bedframe and of the chest appear different
to other images of them.
* The evaluation form is now missing from the chest in the mirror
reflection.
Exhibit 22: Nancy’s bed with stains concealed
Ask yourself why
a forensic photographer
would take an image of
a bed with the purported
blood stain covered up?
Was he queasy? Was
he trying to conceal
disturbing proof of a
murder?
What complete
nonsense. The job of a
forensic photographer is to document images as they are originally found,
not to create a more acceptable image that won>t upset the impressionable.
128
Noone Died at Sandy Hook
* The lamp is turned off in this picture. The sheets have been removed.
No blood visible anywhere.
Exhibit 23: The Lanza family dining room
Notice the evaluation
form in the dining area.
* Three candle
holders on the table; no
chair pads on chairs;
boxes in dining room. No
plants, framed art or area
rugs. Cheap dining room
curtains and curtain rods
for a house appraised for
over $500,000 owned by the ex-wife of an executive for finance at GE who
was reported to have purchased the home new in the 1990’s.
Exhibit 24: The photographer catches himself
One of the
photographers and
stager managers catches
himself in a reflection in
the mirror.
We have several
others, where their
reflections were
apparently not noticed by
those filing the photos.
* Mattresses are
stacked on top of one
another in the dining
room. Candle holders are
missing from table and
moved to sideboard.
Exhibit 25: Here’s
another from the
bedroom
129
Allan Powell (with Kelley Watt)
Exhibit 26: Here’s one taken from above
This odd shot appears
to be a different man
than the one reflected
in Exhibit 24. None of
them seem to be wearing
protective gear, which
suggests that they are
not forensic experts but
photographers recording
the home as it was being
furnished.
Exhibit 27: The lounge area of the Lanza home
* Coffee table in the
middle of the room rather
than near the sofa or
chairs. No coffee table
books, candlesticks,
candy bowl, magazines,
magnifying glass,
picture frames on tables.
Again really bad, cheap
curtains.
Exhibit 28: An access venue that broken in
Each access point
was forced and each
door was broken. The
Lanza home appears
to have been stormed
simultaneously. Did they
think Adam was still
alive and waiting for
them?
Even the roller door
for the garage (below) is
forced or at least broken. One can understand police forcing a single door as
a matter of urgency, but surely not all points of entry.
130
Noone Died at Sandy Hook
* The curtains are way too long and cheap, including even the curtain
rods, for such an expensive home.
Exhibit 29: The refrigerator filled from the left
The water bottles in
the freezer compartment
woidd have expanded to
split the bottles if they
had only arrive at least
for three hours after
Nancy had been shot. If
the official report were
true, Nancy was shot
sometime before 9:30
AM and police entered
after 12 Noon.
Exhibit 30: Desk set up for right-handed user
The setting here
indicates that Nancy was
right handed, but the
filling of the shelves in
both the refridgerators
indicates that it was
performed by a left
handed person, being
filled to the left.
* In contrast with
Exhibit 27, there is no
water bottle to the right of the sand timer on the shelf (4“’ from the bottom
to the left of desk). The
chair is in front of desk.
Exhibit 31: The
study with no laptop
or printer
Here’s the study
with no laptop or printer
and the evaluation form
on the Chesterfied chair.
131
Allan Powell (with Kelley Watt)
Note only one image of Ryan Lanza in the bookshelf and no modem one
of Adam Lanza. Ryan is wearing a graduation gown different to the one in
his graduation video.
* Laptop is missing from desk; chair is in front of cabinet, not desk;
water bottle to the right of sand timer on bookshelf. Banker box on floor.
Exhibit 32: Workman’s tools left on the floor
Workman’s tools are
on scene before evidence
markers are laid down.
This is another image
which should not have
been allowed to escape
by the stagers to public
scrutiny.
Exhibit 33: Water bottles left on the floor
Stage managers’
bottles of water are
caught in photos. My
(Allan’s) guess is that
there were three of them.
* I (Kelley) think the
house was being lived
in as a security measure
against anyone gaining
access in pursuit ofDNA
or other evidence.
Exhibit 34: Outdated electronic equipment
The whole house has
electricals from 2008 or
earlier.
A Dell Inspiron
laptop Image 25 and a
Brother MFC printer fax
from around that era.
132
Noone Died at Sandy Hook
Exhibit 35: The paper shredder appears full
The paper shredder is
full. What would Nancy
have had that required
that much shredding?
Those setting up the
fake scene for a pretend
murder, however, have
a lot of paperwork they
wouldmt want seen.
Exhibit 36: Ryan and Adam’s AAA ID cards
Ryan has a
Connecticut AAA card
and lives in Queens
but Adam has a New
England AAA card and
lives in Sandy Hook?
Exhibit 37: Back to the Computer Room
Like all other things
in the Lanza home the
carpet protectors here
are either brand new or
unused or show no signs
of use. These plastic
mats are in an unrealistic
condition if Adam Lanza
was on the computer all
hours. The room is too
sparsely filled.
There are no books in the bookcase for someone who supposedly shrinks
from the world. There are no super hero comics, no computer magazines,
no favorite anything anywhere. The games are from 2008 and the machines
from the same period. No Spiderman, Star Wars; only a Matrix poster. There
is a sack in front of the desk and no boxes.
Exhibit 38: The room has been rearranged
Now we have no sack and stacked boxes. Adam was reported to have
133
Allan Powell (with Kelley Watt)
a huge spread sheet,
where The New York
Daily News reported that
investigators discovered,
“a chilling spreadsheet 7
feet long and 4 feet wide
that required a special
printer, a document
that contained Lanza’s
obsessive, extensive
research — in nine-
point font — about mass
murders of the past, and even attempted murders.”
But none of the photos we have reviewed suggest any kind of research,
much less a special printer or a spreadsheet of that size. If it had been in the
home, surely it woidd have been the subject of photographs. But there appear
to be no printer, no spreadsheet and no indications of Adam having done any
research on mass murders or any other subject.
Exhibit 39: The carpet saver seems unused
Not one scratch or
buff or scrape or indent
or piece of dust on this
carpet saver. It>s not just
this. Look for yourself at
the photo evidence.
Exhibit 40: And no
dust under Adam>s
bed
No dust, spider webs
or other miscellaneous
debris under the Adam
Lanza bed. Nothing to
suggest it was here for
any period of time.
Exhibit 41: A
constantly changing
down-stairs room
134
Noone Died at Sandy Hook
There is no I
explanation for how the ,
down-staris room came »
to have so many different
states and why they
were photographed by a
technician and included
in a release of evidence
to the public--except,
of course, government
incompetence.
*Boxes have been emptied, sofa is sideways in order to make room to
move stuff in. Bed is not made; stuff is on top of armoire.
Exhibit 42: A variation on the messy room
Here’s the basement
less tidy. Notice the ever-
present evaluation paper
on the table.
* Green chair has
been moved; fewer boxes
on bed: some may have
been taken upstairs and
used to stage tje book
shelves, etc. In another
picture, the bed has been made and all boxes have been removed.
Exhibit 43: A neater version of the down-stairs room
Here’s the basement
considerably tidied up
with somebody’s clothes
and bag of food evident.
Whose room was this?
It wasn’t Adam’s room
or Nancy’s bedroom.
Did a forensic’s guy
break in to set up the
house after the incident?
Before is even more
135
Allan Powell (with Kelley Watt)
likely. And he cleaned up for the official visit, but left his clothes behind.
Please notice, that the sofa is now flat against the wall.
Exhibit 44: The ever-changing laundry room
The ferns in the
laundry room jump
around. The ferns are
gone here and the
coloured box is on the
floor. Laundry basket
is in front of the front
loader.
*The paper towels
are on top of ice chest in
this photo, in other photo they are on top of fridge.
Exhibit 45: A decidedly tidier version of the basement
The fern and the
coloured box move to
the top of the washing
machine. The laundry
basket has has taken
some steps to the left.
Exhibit 46:
Small things are
rearranged
The tube of ointment
disappears; a pen moves
sideways; the phone
and its battery rearrange
themselves; the Science
Club ID conveniently
displays itself.
iU
*
Since when does a
20-year-old keep phone wallet, etc. in a bathroom cupboard at the lowest
level?
136
Noone Died at Sandy Hook
Exhibit 47: Inside the Lanza home garage
Notice the evaluation
form even in the garage.
Exhibit 48: The
broken garage door
The garage door on
the right shows Adam
Lanza didn>t drive the
Honda out of that car
space. There>s a box
blocking the broken
roller door which
wouldn’t have raised
or closed. The Honda
couldmt have driven out
of the garage.
There’s an evaluation
form on the BMW. And
of course the man who
delivered the oil didn’t
see the wrecked door even though he had to pass it to fill the oil tank. He
didn>t investigate and did not call the police.
Exhibit 49: Wood lice and earwigs in the house
Perhaps a very
telling image is this one
from the kitchen which
has both an earwig and a
wood louse at the base of
this door. Neither wood
lice nor earwigs stay in
houses during winter. That is their mating season and they seek out the garden
in which to mate and live. The image is fabricated.
Exhibit 50: The view looking down the driveway
The faked oil bill has been placed in the letterbox early on a frosty
morning as one more fake effect to create the impression that a family was
living here, which the evidence presented here refutes.
137
Allan Powell (with Kelley Watt)
These exhibits were
originally presented
by Allan Powell
on “ The Real Deal
Ep. 80 Explosive New
Revelations about
Sandy Hook”, which is
available on the Internet.
138
Setting the Stage: Refurbishing the School
8
Setting the Stage:
Refurbishing the School
by Allan William Powell
Four large trucks supplied by William B. Meyers, a United Vanline
franchise holder, delivered the props for the empty school to be window
dressed to appear as if it was an active school.
The trucks were from United Van’s Connecticut branch. From the state
of the leaves on the trees, the last oak leaves are falling so I would say late
October or early November.
The trucks unloaded school furniture and props which may have been
in storage with William B. Myers since the school was decommissioned and
then re-installed at the school to make appear to be a functioning reality.
Below are some of those images.
Exhibit 1:
A United Van in the Sandy Hook parking lot
A wet but
not freezing day,
probably late October
or early November,
the United truck
stands well out of
the way waiting to
be emptied while
another United truck
is just visible in the
left of the image as it
is emptied.
139
Allan William Powell
Exhibit 2:
United movers standing by cartons used to transmit props
Here we see some
of the United removal
staff standing by the
empty stacked yellow
plastic cartons after
the school has been
filled with props. A
security officer stands
guard at the front of
the school.
Exhibit 3:
The United agent involved here was William B. Meyer
The sign
“Meyer” on the back
of the removal truck
shows clearly the
United agent was
William B Meyer. In
the background the
leaves are brown but
not yet fallen.
Exhibit 4:
Three semi-trailers
Three semi-
trailers in the
background, one
in the foreground.
There’s a white
unmarked FEMA
trailer by the portable
toilet. Also visible is
the portable mortuary
referred to by Wayne
Carver, Medical
Examiner, in his
bizarre public speech
about the victims of the hoax. [Editor’s note: See Chapter 1.]
in the background, one in the foreground
140
Setting the Stage: Refurbishing the School
Exhibit 5:
The empty truck from Bridgeport shows its work was done
This image
shows the work
done, the empty
United trucks
from Bridgeport
Connecticut. Wm B
Meyer has failed to
answer any questions
I have put to them
about the presence
of their trucks at the
school.
Exhibit 6:
Unmarked FEMA vehicles making back-door deliveries
Unmarked
FEMA vehicles
arranged deliveries
at the back door.
[Editor ’s note: We
have the FEMA
manual for the Sandy
Flook event; see
Appendix A.]
Exhibit 7: Multiple indications the school had been abandoned
Weed growing and wires hanging loose
indicate the fact the school was disused.
[Editor’s note: See Chapters 2 and 3 for more
proof that it had been abandoned.]
Exhibit 8: Further signs that the school
had been abandoned
141
Allan William Powell
Green mould on the wall indicates inactivity at the school, long since
abandoned.
Exhibit 9:
Penske Truck Rental also involved in refurbishing the school
Penske truck
rentals were also used
to move props for the
faked shooting into
the empty school.
Exhibit 10:
They took photos with the mover’s tags still attached
The image bears
the name “William
B. Meyers” and
the notation for the
room in which the
contents of the yellow
labelled bins are to be
placed. The label was
removed as shown
in the next image when someone realised it would give away the fact that
Sandy Hook was staged.
But someone forgot to remove a sticker from a floor mat and it was
captured in an image. I>ve sent W.B. Meyers an email requesting that they
confirm that the stickers belong to them and if they could tell me when they
made the delivery of the props to Sandy Hook. They have not replied.
Exhibit 11:
The MEYER moving sticker identification now removed
Here the William B
Meyers sticker has been
removed from the classroom
sign
142
Setting the Stage: Refurbishing the School
Exhibit 12:
Meyer’s was responsible for both moving and storage
Over the orange
stickers, the label of
William B. Meyers
can clearly be seen.
This indicates that
both storage and
moving were part of
the Meyers) contract.
Exhibit 13:
Vehicles with fake bullet holes were placed in the parking lot
Faked bullet-
holed car props were
placed in the carpark.
The official story in
the Sedensky report
is that Lanza shot
holes on the front
glass next to the door
and nothing else
before he entered.
The Sedensky Report
also says that cars in
the car park were only damaged from shots fired from inside the classrooms.
The only one with any apparent bullet holes in both glass and window frame
is Classroom 10.
Other images released in the evidence show that to be false. Additional
cars were staged as crime scenes as the drill stagers hadn>t fully decided the
scope of the production. A drill is more likely to test a given situation in which
participants have been instructed, so here the participants knew the FEMA/
DEIS drill would involve a shooter but they would not be given exact details
of what the drill would involve.
The Lauren Rousseau car referred to in the section on the Lanza home
appears in the car park and is shown under a small pavilion as is this vehicle.
This vehicle appears to have been struck by a bullet which came through
the window of classroom 10, turned left, advanced for forty meters, made a
right turn and then a left turn into the rear passenger door. The vehicle has
been moved to that location; it has cordon tape trapped under the back wheel.
143
Allan William Powell
Exhibit 14:
This vehicle was moved to make for better staging
This vehicle has
been moved during
the forensic session
and appears to have
driven over the
yellow cordon tape,
trapping it under the
front wheel.
Exhibit 15:
The Lauren Rousseau car also seen at the Lanza home
This is the
Lauren Rousseau
car which also was
staged as being in
the Lanza house
driveway. Reflected
in the rear passenger
door and window is
the photographer. The
condensation drip of
moisture from the
exhaust pipe on to the
car park surface indicates that the vehicle has only recently been driven to
that location, probably within an hour.
The car from Exhibit 13 would have been shielded from any bullet
damage to its right side from Classroom 10 by the Rousseau car, yet a bullet
hole in the rear right side passenger door was recorded by the forensic’s team.
Exhibit 16:
A bullet fragment
was planted in
the trunk of the
car
The bullet here
appears to have been
retrieved from a
144
Setting the Stage: Refurbishing the School
ballistics testing medium and then placed in the trunk of the Rousseau car.
Exhibit 17:
The Rousseau car was photographed in multiple locations
Here it is under
the pavilion. The
car has been driven
over cordon tape
indicating that it
has been moved
again. The car from
Exhibit 13 appears
to be beside it, which
means the Rousseau
car would have been
blocking any bullet
shown in that exhibit as having hit the rear passenger side door.
Exhibit 18:
A close-up of the bullet holes in the right
passenger side.
A bullet coming trough the window of
Classroom 10 would have had to have curved over
the Rousseau car to hit the Exhibit 13 car. A man
is visible in the background at the window through
which the bullets were purported to have passed.
Exhibit 19:
Even closer with a forensic identification tag attached.
The stage
managers went
out of their way to
fake their forensic
evidence.
145
Allan William Powell
Exhibit 20:
These vehicles are cordoned off and not in Sedensky’s report
These two cars
and a faked bloodstain
are cordoned off as
part of the pretended
shooting. No
reference is made by
The Sedensky Report
to any discharge of
the Bushmaster in the
parking lot other than
to breach the window
in order to enter the
school.
Exhibit 21:
Fake blood has been planted between these two cars
Here>s the faked
blood between the
two cars. The shadow
cast from the eastern
sunrise shows that
this is early morning.
Exhibit 22:
Notice the forensic tag on the bumper by the license plate
This creates
the impression of a
thorough forensic
investigation of the
crime scene.
Exhibit 23:
Here is a bullet
fragment but no
trajectory of how
it got there
146
Setting the Stage: Refurbishing the School
Abullet fragment
glides conveniently
to a halt under a car
trunk carpet, but no
images of the holes
the bullet made in the
car trunk carpet exist.
Exhibit 24:
Open school door with no shot-out window glass
This photo taken
early on the morning
of 14 December
2012 shows the
school door open but
no window blown
out to gain access.
Notice the discarded
water bottles at front
in the gutter. If you
look closely you will
see an audio-visual
presentation being given on a large screen just beside the American flag in
Classroom 8.
Exhibit 25:
A couple of stage managers inside the foyer before the event
Another photo
shows a pair of stage
managers inside
the foyer before the
event.
Exhibit 26:
Flag full mast,
SWAT vehicle
present, windows
undamaged
Notice the windows of Classroom 10 are undamaged, the flag is up.
Wayne C arver can be seen behind the man in the blue evidence suit. The shot
147
Allan William Powell
is taken from one of
the elevated cameras
placed around the
car park to record
the drill. Leaves are
evident on the trees
in the background.
This is not December.
No portable mortuary
can be seen, which
means this is early
morning before the
portable mortuary was
Exhibit 27:
Some Port-a-Potties are already in place early in the morning
Portable toilets
were ordered prior
to the day and placed
in the car park. They
appear in the early
morning images.
The suppliers of the
toilets will not answer
emails for details on
the supply contract for the potties. Establishing that both the toilets and the
mortuary tent were delivered prior to the “massacre” provides one more
important proof that this was a planned event. If it>s early morning and
Carver is there and the mortuary isn>t, that>s pretty conclusive of planning.
delivered.
Exhibit 28:
Another car photo early morning before the event takes place
The sun can just be seen
rising over the school in
reflection on this car rear
door. The sunlight has hit the
trees on the west side of the
car park indicating again that
the time of this image capture
is early morning and before
the incident would begin.
148
Setting the Stage: Refurbishing the School
Exhibit 29:
Earlier in the morning before the windows have been “shot out”
One image of
a car shows a case
of water put down
for the boys to help
themselves and
four windows of a
classroom open with
three candle shapes
in each open window.
The end windows
have been closed.
Other images show
the windows were intact before holes were drilled through the frames to
simulate bullet damage.
The sun has yet to rise on the car park but sunlight can be seen on the
tree behind the school. This indicates again that it is early morning. The
mortuary tent is not in place as it would have been every morning after the
shooting had it been real.
Exhibit 30:
The windows have been “fixed” to simulate effects of shots
The mortuary
tent can now be seen
in the reflection of
the window. This
means it has been
set up some time
after the windows
of Classroom 10
featuring three
candle images apiece
were staged to look
as though bullets
passed through some
of them.
Exhibit 31:
The bullet Adam “shot himself with” looks corroded
149
Allan William Powell
This image of
the 10mm bullet with
which Adam Lanza
purportedly took
his own life shows
fragments that appear
to be corroded.
Exhibit 32:
None of the .223 fragments could be matched to the rifle
Other images of
.223 bullets recovered
indicate they have
sufficient land and
groove imprints to
forensically link them
to the Bushmaster,
were this a legitimate
bona fide forensic
investigation. The
Sedensky Report says
none of the 154 fragments that were recovered could be forensically linked
to the Bushmaster. That is simply false.
Exhibit 33:
The office area leading to Nurse Sally Cox’s office
She also claimed
in another interview
that Lanza opened
the door and stared
her in the face. She
says she then jumped
under the desk with
another staff member
and together they
stayed there for three
hours only calling the
police once. The story
is highly improbable.
Few public-speaking appearances have been made by Sally Cox. As a crisis
actor, she appears to be a loose cannon.
150
Setting the Stage: Refurbishing the School
Exhibit 34:
The fraudulent testimony of Nurse Sally Cox exposed
Another image is
a view of Nurse Sally
Cox’s office, which
shows she could not
have seen the shooter
20 feet away. There
is no desk with a
view that would have
permitted it.
There is also no
desk facing the door
for her to hide under and watch the shooter, as she claims she did. She also
asserted in an interview that she saw his boots through this imaginary hole
in the desk. But officially Adam Lanza’s footwear was a pair of black shoes.
Exhibit 35:
The mortuary tent
The large tent
mortuary doesn’t
appear in other
released photos
purportedly taken
on the day of the
shooting.
Wayne Carver
referred to the
structure and said
autopsies were
performed in the tent. Post-mortem examinations for Pozner and Lanza are
supposed to have been performed at the Office of the Chief Medical Examiner,
not in the Sandy Hook mortuary tent. Images of the mortuary tent show an
oak tree in the background, which has yet to lose all its leaves: the time of
year is late October.
Exhibit 36:
Moving cars around for the best staging: the blue VW
Multiple images show different parking arrangements for the car props in
and oak tree yet to shed all its leaves
151
Allan William Powell
the school parking
lot.
Notice both
of the vehicles,
including the blue
VW, are facing the
school.
Exhibit 37:
Now the blue VW is facing away from the school
Now the blue VW
faces away from the
school. Notice too the
man in short sleeves,
indicating that it
may be much earlier
than December. The
SWAT team is there
but the windows of
Classroom 10 are
intact. How much
proof of fakery do we
Exhibit 38:
A door with a broken window was at the back of the school
The Sedensky
Report makes no
mention of any doors
at the rear of the
school being involved
in the incident, yet
two different images
of this broken glass
exist. The broken
door glass appears to
be a CGI aspect of the
hoax, which did not
quite come off. The wired glass doesn’t in the real world break as show in
the images. This is security glass with a crossed wire through it. It does not
shatter like ordinary glass.
152
Setting the Stage: Refurbishing the School
Exhibit 39:
A better photograph of the broken door glass in the back
The angle from
which this photo
was taken makes the
broken glass easier
to see than in Exhibit
38.
Exhibit 40:
They appear to
have faked the image of broken door glass
The broken glass
on the doorstep is a
CGI image, which
could not possible
happen in reality. The
pieces show that the
wire through the glass
has shattered as if it
were not wire but glass. This is a physical impossibility.
Exhibit 41:
The fantasy scenario of parallel shots from Classroom 10
Photos exist
of the windows
in Classroom 10
before and after their
doctoring. They show
a preposterous line
of four freehand
shots fired into the
aluminium frame. To
fire and get that many
shots in such straight
lines— each exactly at
a perfect 90 degree
right angle to the window frame— is overwhelmingly improbable. No one
experienced with firearms would find this remotely plausible. One image
indicates that the shot ruptured the aluminium inward, which means that it
153
Allan William Powell
was inflicted from outside. There was no blood splatter from any victim on
the inside of the window.
Exhibit 42:
The windows before they were “fixed” to reflect the shooting
This picture
shows the window
before it was
doctored. Notice that
there is no reflection
in the window of
the mortuary tent.
This was indeed an
elaborate hoax.
Exhibit 43:
The precision with which those holes were created
This image
shows how the bullet
holes were actually
drilled from the
parking-lot side of
the window. The
swarf from the drill
has erupted into the
classroom side of the
window as one would
expect from using a
drill on an aluminium
window frame.
Exhibit 44:
The perps at work drilling the holes in the window frame
This image
actually shows the
personnel who are at
work setting up the
window frame with
fake bullet holes.
It was extremely
154
Setting the Stage: Refurbishing the School
revealing that such extensive records were kept.
Exhibit 45:
Cameras to record
Other images
show the extended
cameras fixed on cars
to record the drill.
They>re the little
yellow things on
extensions from the
cars in the back row.
The leaves are still on
trees so the likelihood
Exhibit 46:
Here’s a Connecticut State Trooper setting up his camera
If you look
carefully here,
you can see the
Connecticut State
Trooper setting up
the camera just to the
left of it.
Exhibit 47:
The same
photographer
worked the
Lanza home furnishing
Note the SWAT
wagon in the distance
in this image waiting
to be put out front of
the fire station. There
is no other reason a
SWAT team would
attend a forensics
site. And there>s the
SWAT team in the
the drdl mounted on cars in the back row
that this image was taken in December is very low.
155
Allan William Powell
extreme right of the image their heads visible just above the cars. The
man in the evidence overall is obviously aware that he is photographing a
complete faked event. He was also in on staging the Lanza home, again being
accidentally caught in the image evidence as here.
Exhibit 48:
Police tape up before the window has been blown out
One image
shows that someone
stuck a chair into
the crime scene and
the window in the
background doesn>t
appear to have been
blown out yet. There
is police tape but “the
crime” has yet to be
committed.
If I’m not
mistaken there is
an audio-visual
presentation going
on in Classroom 12
on a large screen.
Indeed, as the second
image shows, I am
not mistaken.
Exhibit 49:
Wayne Carver waiting for his Mortuary Tent to show up
Here>s Wayne
Carver waiting early
in the morning for
his mortuary tent to
turn up. This is early
morning before the
drill has commenced.
There’s a drill
executive back near
the door waiting for the drill to begin. Note there are no evidence markers
156
Setting the Stage: Refurbishing the School
down yet on the concrete at the front of the school entrance.
Exhibit 50:
A view from the woods of a school day that will live in infamy
Here’s an
unofficial image of
the stage setting taken
from the wooded
area. There are two
vehicles in front of
the school entrance
and that telltale chair,
too. Why were there
two vehicles in an
area that ought to be
cordoned off as a crime seen e—ifit were a crime scene, that is?
It’s possible that two cars were used for the drill and that one of these was
the car that found its way to Gene Rosen’s driveway with that broken driver
side window for which no alternative explanation has ever been advanced.
These exhibits were originally presented by Allan Powell on "The Real Deal
Ep. 80 Explosive New Revelations about Sandy Elook" and its sequel, "The
Real Deal Ep. 96 More Sandy Hook”, which are available on the Internet.
157
Allan William Powell
158
Thus Article 8. Fixing a Prop: Furnishing the Lanza Home by Allan Powell (with Kelley Watt) from Nobody Died at Sandy Hook
That's an article 8. Fixing a Prop: Furnishing the Lanza Home by Allan Powell (with Kelley Watt) from Nobody Died at Sandy Hook This time, hopefully can give benefits to all of you. well, see you in posting other articles.
You are now reading the article 8. Fixing a Prop: Furnishing the Lanza Home by Allan Powell (with Kelley Watt) from Nobody Died at Sandy Hook with the link address https://polennews.blogspot.com/2017/11/8-fixing-prop-furnishing-lanza-home-by.html
0 Response to "8. Fixing a Prop: Furnishing the Lanza Home by Allan Powell (with Kelley Watt) from Nobody Died at Sandy Hook"
Post a Comment